recent work

Sarah Adams

Study of an arch at Watergate Bay

oil on board, 16 x 48 cm (excluding frame)

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Sarah Adams

Study of a cave at Watergate Bay

oil on board, 16 x 48 cm (excluding frame)

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Sarah Adams

Study of Brea Hill from Gun Point

oil on board, 16 x 48 cm (excluding frame)

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Sarah Adams

Study of a rock formation at Molunan

oil on board, 16 x 48 cm (excluding frame)

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Sarah Adams

A cave at Molunan

oil on board, 16 x 48 cm (excluding frame)

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Sarah Adams

Trevose from Newtrain Bay

oil on board, 43 x 40 cm including frame

Sunlight and shade play across the rippled sand, in a gully at Rocky Beach. Looking West across Newtrain towards Trevose

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Sarah Adams

Gully at Treyarnon Point

oil on board, 41 x 34 cm including frame

The rocky shoreline between Treyarnon and Constantine is riven by deep gullies, and the barnacle-clad rocks can glow gold in the sun.

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Sarah Adams

Treyarnon Point to The Quies

Oil on board, 37 x 39 cm (including frame)

One of a pair of studies, looking from the same spot. There is a naturally formed infinity pool here, home to a beautiful type of wrack that has electric blue and turquoise tipped fronds.

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Sarah Adams

Treyarnon Point to The Bull

Oil on board, 37 x 39 cm (including frame)

The second of a pair of studies, looking from the same spot.

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Sarah Adams

‘Polzeath from Hawker's Cove’

oil on board, 42 x 52 cm including frame

A gully, tucked away between Hawker’s Cove and Stepper Point, cuts through the extraordinary turquoise and mauve bedrock of the Camel Estuary. The Doom Bar is visible, and beyond it the outline of the opposite bank, Greenaway’s and Polzeath.

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